Half World

Half World by Hiromi Goto, illustrated by Jillian Tamaki 2010
Viking/Penguin Group

Melanie Tamaki is fourteen years old, an outsider at school and struggling to make ends meet with her mother. Melanie's mother clearly loves her, but she tends to forget to run errands and can't hold down a job, and she has trouble holding down a job. One day, Melanie comes home to find that her mother is missing. She has been kidnapped by the gruesome Mr. Glueskin and taken back to the Half World. Melanie must save her mother and so she makes the frightful journey into the Half World.

Melanie is chubby, dubbed a 'slow learner' in school, and so she is bullied. I never felt connected to Melanie though. I sympathised with her being made fun of, but that was about all I felt for her. Sympathy. We don't learn much about Melanie's life, all we know is that she is poor, picked on and loves to read. I wanted to learn more about her history. I also would have liked to know where her story took place in the real world (my guess would be Canada just because that's where the author lives but I'm not sure). Melanie seemed rather immature too, maybe it's just me thinking I was oh-so-mature when I was fourteen. I also NEEDED more story about her parents and the other secondary characters Melanie runs into. I realize that Melanie didn't really have time to learn the life story of all the people she met but I wished we had gotten a better glimpse of all the characters. Perhaps a prequel is needed? Or a sequel? I would read it! I could take or leave the illustrations. They were nice, but they didn't contribute a great deal to the story. However I loved that the illustrator never drew the creatures of the Half World that were described in such vivid and stomach-churning detail (keep in my mind, I get scared easily so this was good for me). This allowed the reader to imagine the characters and I think that works better for this novel, the creatures are YOUR worst nightmares.

I did admire Melanie's soft power. Melanie is brave because she has to be, but like any teenager, she's utterly terrified of Mr. Glueskin and fears for the safety of her mom. Yet Melanie doesn't make any grand heroic gestures, she pauses and really weighs the consequences. She resists doing what she knows she needs to do. She's SCARED and that's normal and did make her a bit easier to relate to. Another favorite quote of mine that shows her power: "How much can a person bear? she thought hollowly.
The silence of the entire penthouse floor was profound. Only the steady beating of her foolish heart.
As much as she had to, Melanie thought grimly." (pg.121) In order to enter the Half World, an unpleasant task is required (and it's rather random, I wonder if the particular body part is meant to symbolize something?). The Half World is the place where mortals go after dying, it's a sort of dream world. In the Half World, mortals must relieve their greatest trauma they experienced while living (also known as the Realm of Flesh) until they are able to resolve the issue. It reminded me a bit of Purgatory. There are three worlds: the Realm of Flesh, the Half World and the Realm of Spirit (which is like Heaven in my mind). I was reminded of a recent post at The Enchanted Inkpot called Lost in Translation which talks about how symbols used in fantasy in the West can mean different things than in the East. For example, in Half World, I think crows are meant to be a good omen, but in Western culture, crows are a bad omen. I did some research and found that crows in Japan are thought to be a sign of the gods and thus are held in high regard.

Half World is a splendid book. The world building is excellent, the characters and scenes described are grotesque and yet completely enthralling. The action is fast-paced and Melanie is not the typical heroine who can do anything and has mysterious magical powers. She's mostly normal and her feelings of terror at being in the Half World and facing the dreadful Mr. Glueskin (and his glue-y tongue, yuck!) are ones that I could relate to as a teenager. While I think there is a lack of character development and back story, I'm ecstatic that I can confidently recommend a YA fantasy with a multicultural cast (or just a great fantasy read) and strong females who are not the typical 'warrior'. In fact, most of the women in this book are fierce but they would be considered fragile, their power appears almost out-of necessity, the adrenaline kicks in and then they harness this new found strength. Also, I think it's a bonus that this book has no hint of romance, instead it focuses on a strong mother-daughter bond and that is absolutely refreshing. Melanie starts out too dependent on her mother and she becomes more independent and at the same time her bond with her mother is strengthened.

This review originally ran at Reading in Color.

Read our interview with the author

The Latte Rebellion

The Latte Rebellion by Sarah Jamila Stevenson 2011
Flux

Incredible Quote "'Because you're brown and they can't tell what you are.' Miranda picked at her cheese sandwich. 'You know, this is why the Latte Rebellion is a good thing. It'll open people's eyes. I mean, it's not like we just automatically identify with whichever group we look the most like.'
'Yeah.' I [Asha] nodded. 'Not to mention, ethnicity isn't anybody's whole anyway.'" pg. 158

Asha and Carey would love to have a best friend post-graduation trip to London. In order to raise the money, they decide to sell t-shirts that praise being mixed-race (or bicultural, what have you), they dub it the 'Latte Rebellion.' The girls expected to make some money, but they didn't expect people to actually get excited about their cause and turn it into a nationwide student social movement. Asha is both apprehensive and excited about this, but the Latte Rebellion is starting to mess with Asha's life. Her grades start slipping and she and Carey are fighting more and more. Before she can say 'latte', the peaceful Latte Rebellion turns violent and charges of terrorism are being thrown around. Does Asha believe in the Latte Rebellion enough to disprove the charges and fight to keep the group alive?

I don't usually mind slow starts in contemporary novels and this one was no exception. I liked getting the backstory and feeling completely immersed in Asha's world, I was satisfied with the little everyday details. I would warn you though that it takes awhile for the actual rebellion to start but stick with the book. I was a bit peeved at how some characters emerged for a chapter and then faded away, only to be called again a few chapters later. Thad and Bridget were both brought into the story but then they just disappear, Asha doesn't give them another thought. The biggest problem to me were the awkward transitions. Just when a chapter was starting to get really good, the story would stick to the present where Asha was in the middle of a school board hearing on her possible expulsion (her school viewed the Latte Rebellion as a terrorist group). Then just when the hearing started to get interesting, the story would change to the past events leading up to the hearing. Sometimes it seemed like the hearing was rushed, for example, I almost missed the decision the school board made because it was rushed over.

The most fascinating point to me was that Asha (half-Indian, a quarter Mexican and a quarter Irish) and Carey (half Chinese, half European) resent being forced to pick a side or idenitfy with what they are the most. I admit I'm guilty of thinking that way. I'm bicultural but I've definitely thought at times that if you if have more than three different cultural backgrounds, you can list them all but if you join a club, join them all or pick the one you identify most with. I get ticked when people do the whole '10% Irish, 10% Scottish, 15% Swedish, 2 % Cherokee' etc. Just pick your top two! However this book showed me that it's not that simple. I shared Asha, Carey and Thad's frustration at the lack of understanding/options for multicultural people. Just today I was registering for the SAT and I could only pick one race or chose to be 'other.' I ended up selecting Black but I was peeved that there wasn't a way for me to pick Black AND Latina. Real-life moment right there. I love that Asha starts The Latte Rebellion for purely selfish reasons. She wants to travel and needs the money so why not open a business that would appeal to certain people? That's what entrepreneurs do all the time and I thought it made the book even more fun. Asha starts off self-absorbed and a bit clueless but that makes the end result even better. I also really liked that the book showed why the term 'latte' is so appropriate for multicultural/multiracial people and that the school thought of the group as a terrorist movement. As if. Gotta love school bureaucracy.

*Please be warned the next paragraph will contain some lame coffee puns/jokes*

The Latte Rebellion is filled to the brim with coffee for thought ranging from how multicultural people are viewed in the world (should we have to choose what culture we identify the most with, how do we do that?), prejudice (Asha is called a 'towel head'. Wow), race and the college process (and it was nice to read a book about a senior who is stressing out about college because the process sounds SCARY people) and friendships drifting apart. We aren't meant to be best friends with the same people all our lives. It's nice if that happens but it's a rarity. I loved Miranda (fight the power!) and even though I didn't see much of him, I was a big fan of Thad. But then again, I'm a complete sucker for a guy who has a sense of humor and yet still wants to save the world (and manage to make enough to get by). The rough transitions and disappearing characters made this book a bit hard to swallow but there is a great balance between hilarity and seriousness that brings out the sweet flavor. The parents have a role and they aren't a complete caricature of overbearing-must-get-good-grades kind of parents. I sipped a vanilla latte while reading this book. It was my first latte and while I'm not a fan, I've been told to try chai lattes and a gingerbread latte. So we shall see if I become a latte fan. I applaud the author for keeping up the latte metaphor throughout the whole book, it could be a bit silly at times but who doesn't like a little silliness? A stirring novel. Oh and I love the cover, the symbol of the Latte Rebellion in the coffee (which is a coffee cup with steam rising to to from the shape of a hammer and sickle) along with the coffee rings, napkins and a cartoon drawing are perfect for the cover.

Disclosure: Booouuugghhhttt

PS Doret and I want T-shirts that say "Ask not what Brown can do for you. Ask what you can do for Brown." (this slogan could also apply to Brown University which makes it rock even more) <3
PPSS I'm buying a mug. You can also buy a shirt. $1 of each purchase goes to Reading is Fundamental. Social justice for the win. You're welcome

When the Stars Go Blue

When the Stars Go Blue by Caridad Ferrer 2010 (ARC)
Thomas Dunne Books/St. Martin's Griffin Press


When the Stars Go Blue is a modern retelling of Carmen. Listen to the song that inspired the title here (utterly haunting/enchanting). Soledad is dance and dance is Soledad, it is her everything. It's the summer after graduation and she had planned on teaching at her ballet teacher's dance studio and then getting an apartment in NYC in order to audition for dance companies. However her plans change when her classmate Jonathan Crandall asks her to consider auditioning for the part of Carmen. The audition is for the drum and bugle corps he is a part of. The opportunity is a once in a lifetime and introduces Soledad to the competitive world of the drum and bugle corps, the thrill of dancing in front of a huge, live audience, and the wonder of falling in love for the first time. While she travels across the U.S. with the corps, she meets Taz, a Spanish soccer player with a silver streak in his hair. Taz is clearly into Soledad, but it doesn't matter, because she's in love with Jonathan. And you can't be in love with two people at once, right? But everything changes after one dramatic incident that could ruin more than one future.

"People always asked why I danced. Why I'd devoted so much of my life to something that seemed to offer so little in return. But good as I was with words, in this they kind of deserted me. Every once in a while, I wished I could talk about it. How dancing created this huge, chaotic jumble of emotions and adrenaline rushing through my bloodstream-the freedom and power that came from the ability to command my body so completely." If you have ever felt passionately about something, no doubt, you can relate to what Soledad is saying. This quote is on the 2nd page and it was then that I knew Soledad and I would get along just fine. Soledad is one of the most driven protagonists in YA that I've ever come across. In this novel, the similarities between the original Carmen (I've never seen the opera so I'm basing this off summaries I've found and the musical Carmen Jones, which I adore) and this retelling are harder to spot. One of them is in how ambitious Carmen was and how ambitious Soledad is. Plus they both live in the moment, a quality that Jonathan envies of Soledad. Furthermore Jonathan and Soledad have tempers, much like Don Jose and Carmen. There is a love triangle but there is no clear winner, not until the grand finale. Taz is probably the only guy with long hair I will ever see as utterly sexy (that silver streak!), and it doesn't hurt that he's a soccer player ;) There are no one-dimensional characters. Each character is very carefully fleshed out, the flaws becoming more evident while the plot thickens. There is an intense air throughout the whole novel since Carmen is a tragedy and you know that eventually there will be a dramatic conclusion.

The writing is indescribable. It is expressive and elegant and it has obvious that the author knows both the story of Carmen and the world of which she speaks (drum and bugle corps, dance). The passion for the subject matter leaps off the page, after all only a dancer could really name the indescribable feeling that dancing provides. The romance is steamy, not because it's particularly explicit but because there is so much longing between Soledad, Jonathan and Taz. "Felt as if we had a whole conversation in the glance we exchanged in the silence following his words. But it was a teasing sort of exchange, the words in a language I wasn't quite comprehending. That I didn't really want to understand yet. But in a way, I did. At least, I wanted to try." (pg. 208). The author clearly illustrates the confusion Soledad feels over the behavior of both Taz and Jonathan, the confusion of being in love and wanting someone so badly, you don't know what to do with yourself.

When the Stars Go Blue is a dazzling read set in a world that will be new to many readers (including myself). I've never been to a college football game or seen a drum and bugle corps perform, but now I really want to see one live! I can't say that it looks easy being in the color guard, playing an instrument, etc. but I now know from this book that it's not, it takes a ton of blood, sweat and tears (well I already knew that about playing an instrument and dancing but still). The fervor that Soledad feels for dance, that Taz feels for soccer and that Jonathan feels for playing the horn is a palpable feeling that anyone who has dedicated themselves to a craft of some sort can relate to. The romance will have any romantic swooning and the climax will have you gasp out loud (especially when witnessing the painful rebound Soledad must make, it's a struggle to say the least). Caridad Ferrer is definitely one of my favorite authors and I will read whatever she writes next, no questions (after all I swore I would never develop a crush on a literary character with long hair or for that matter, any guy with long hair. Until Taz came along). At one point Jonathan tells Soledad to "Own it.", own the role of Carmen. Caridad Ferrer owns this retelling of Carmen and just like her main character, she triumphantly makes it her own.

Original review

Read our interview with the author

Pull

Pull by B.A. Binns 2010 (ARC)
WestSide Books

David Albacore has moved from his small-town California home to Chicago. He had to move once his father murdered his mother and went to jail, forcing David and his two younger sisters to move in with their unwilling Aunt Edie. Aunt Edie lives in a tiny apartment and is barely making ends meet on her own, David works every day after school to make sure his family is provided for. He's an extremely talented basketball player and so David has to make a decision. Go for a basketball scholarship or quit school and work in construction full time. It was his mother's dream for him to go to college, but he's sure that she wouldn't want the family to be split up either (which would happen once David moved away for college since he would no longer be able to take care of them). In addition to juggling work and family, David has a growing attraction to Yolanda Dare, the girlfriend of the school's "king" and major player. David doesn't believe he can have it all, so he's going to need to pick and choose.

In all honesty, I was skeptical about this book, based on the cover alone. Yet another book you can't judge based on its cover. I really really liked it. It was beyond refreshing to have a guy male character who is not a "lovable nerd" or a "playa with a soft interior". David seems to fit in the middle of these two extremes. He's not a playa, nor is he particularly good at school and he's surprisingly not hopeless when it comes to girls (it most likely helps that his mother was a good example and that he has two sisters). I was afraid that David would try and play the "noble hero" throughout the novel. He does try it, but he soon realizes that he does resent his sisters. Because of his sisters he can't keep his paycheck for himself or take The Dare (as Yolanda is known) out on fancy dates along with a host of other things. The noble thing about David is that he acknowledges his resentment, but fights to keep it under control. Much like David, Pull is a frank story that does not hesitate to talk about sex, swear or even gay relationships (I was grinning from ear to ear when I read a certain scene between Carl and Neill. They were underdeveloped minor characters sure, but they were gay and it was NO BIG DEAL. Yes!).

Not gonna lie, at first it was a bit jarring at how much David thought about sex. But eventually I shrugged it off because I have no doubt that it's realistic and it's really not that important. And in the story it's not discussed graphically anyway. You know how they say that a guy is worth keeping around based on how he treats his mother and sisters? David is awesome in that respect. Not perfect, but the way he treats his sisters (especially his freshman sister Barney) is so tender. I shared his pain at not being able to reach his youngest sister, Linda and at his frustration over Barney's obliviousness towards a certain character. As you can tell, I have a bit of a crush on David ;) Asides from David's personality, I was impressed at how each of David's siblings portrayed a different style of grieving. David does not know how to help his sisters and they don't know how to help him. It's a long and painful process, filled with denial, anger and immense sadness. It's also about guilt and debt, how much do we owe our loved ones, living and deceased? There's no easy answer.

Pull is a straightforward read that places a refreshing emphasis on sibling/family relationships over romantic ones. I did have a really hard time understanding Aunt Edie, the explanation for her actions seemed to convenient and implausible, there was not enough evidence to back up her actions. I wanted more character development of David's acquaintances (he doesn't allow them to get close enough to be friends) and his youngest sister Linda (how did she handle school??). It covers a lot, but none of the issues drown the book. From domestic violence to bullying to the ultimate decision about college, no issue is rushed, it flows naturally in the story. The marriage class was incredibly transparent (do those classes exist in high school?) but it was cool to see issues of family and marriage discussed in a high school setting. There is no moralizing in this narrative. David makes a hard decision and it's not one that everyone will make, but I completely understood why he made it. That's what makes this story so notable. I'm sure writing this story was no cakewalk (oh look a reference to an awesome quote, see below) but the whole novel reads like a testimony to one. Excellent.

Disclosure: Received for review from publisher. Thank you WestSide!

Fav quote: "People think cakewalk means easy. But real cakewalks were difficult as hell according to my grandmother. They required endurance, balance and training, and only the best lasted until the end." David pg. 30-31

Sammy and Juliana in Hollywood

Today marks the last day of Hispanic Heritage Month. So I figured I should post a review to kickstart HHM for the rest of the 335 days of the year (I think that math is right????) We have recommended this book before but now I detail why exactly you should read it.

Sammy and Juliana in Hollywood by Benjamin Alire Saenz 2004
HarperCollins

IQ "'Sometimes dreams come true, don't they Sammy?' [Elena]
I wanted to tell Elena that the bad ones. They're the ones that come true. [Sammy]
But I just said 'Yeah, sometimes dreams come true.'" pg. 213

Sammy Santos does not enjoy living in Hollywood in the 1970s. Hollywood, New Mexico, a small town where the majority of people who live there are Mexican or Mexican American and looked down upon. His mother died of cancer and he takes care of his younger sister (Elena), and at times, his father. Sammy dreams of going to college, so he works hard in school and takes on various jobs. The summer before his senior year, Sammy falls in love with gorgeous, vulnerable, aloof Juliana. But what would a love story be without some tragedy? Sammy introduces us to his family, Juliana, his friends and their stories of love and loss, suffering and triumph.

This was a re-read for me and I don't remember much about it. Which is mind-boggling because upon re-reading it, I absolutely LOVED it. I remember that I really liked it and I remember being relatively young when I read it. I bought it somewhere that was selling it for a bargain price ($4) when I was in 5th or 6th grade, and there are two things I vividly remember from the book. I remember that it was the first book I read that had so many Spanish words. I learned many curse and slang words and I'm oddly appreciative of that. I also recall it being one of the first books I ever read to candidly discuss homosexuality (I also learned about the awful slur "queer"). Upon re-reading this book I think both of those points are important. There is no glossary in this book, no italics to show that it is a Spanish word. The reader must figure that out from themselves and use the context in order to translate it. I encourage readers to not just skip over the Spanish words, but to learn them (especially if you are pretty good at Spanish, you need to know the slang too, not just the formal talk. My friends who speak Spanish laugh at Spanish students "proper" Spanish). As for the look at how gay people were treated, I don't think many current students know how bad homosexuals had it in the '60s and '70s, even though that was supposed to be a "liberating and accepting" time. Sammy says it best concerning what love is deemed acceptable "It's funny, everyone had always told us love was another word for belonging. No one, no one had ever told me that love was another name for exile." (pg. 212) I wish it was funny because it was untrue, but it's not funny, and it's true.

The nice thing about re-reading is you find new things to appreciate. I was enthralled by how Sammy described people. I wanted to meet him just to hear how he would describe me. When talking about Juliana he says, "Sometimes, she could look at you and you could see what she was trying to tell you don't screw with me because I've been through things, and you don't know a damn thing about what it's cost me to be here, right here, right here on this worthless piece of ground, so don't treat me like I'm some crack on a sidewalk because if you step on me, you'll never take another step without thinking of me. I swear to God you won't." (pg. 13) He's very observant and has a sort of "old soul". He's well liked, but quiet, not a big fan of parties. However he does attend some parties and he's not really socially awkward. It was nice to read a book about a guy who's not a nerd (I know that sounds mean, but do you get what I'm saying?). I also love Juliana for that above quote but she frustrated me a bit. The title is sort of misleading because Sammy & Juliana's relationship is not the main focus of the story. However it does serve as the backdrop to everything that Sammy does.


Sammy and Juliana In Hollywood is an aching story that is apologetically depressing. I didn't remember it being so maddeningly sad. I'll tell you right now, this book is really about the little things making people happy. It's about leaving home, moving on from everything and anything and appreciating those little joys that are few and far between. This novel covers so much both historically and personally. The Chicano movement is on the rise, people are protesting the Vietnam war, violence against homosexuals, racism against all Brown people, class issues, ageism, students not being free to speak their mind. It's a lot to handle but Sammy has a lot to handle in his own life and this book mirrors his internal turmoil as well as the external. Sammy grows in leaps and bounds and it's the very definition of a rewarding experience to read about. There is so much more I want to say about this novel, but this review is already pretty lengthy. Zetta says it far better than I ever could. All I have to say is READ THIS BOOK.

Disclosure: Con mi dinero

Women Writers of Color: Cindy Pon

Full name: cindy pon

Birth date: august 29

Location: taipei, taiwan

Website/blog: cindypon.com

Genre: young adult fantasy

WiP or most recently published work: Fury of the Phoenix, the sequel to Silver Phoenix.

Writing credits: Silver Phoenix was my debut novel.

How frequently do you update your site? once or twice a week i'll post on my blog.

Is your site designed for reader interaction? yes! i love blog comments as well as emails from readers.
Post of note, something in particular you want readers to check out:

http://cindypon.com/2008/when-they-were-young/

i recently thought about my maternal grandmother. i dedicated Silver Phoenix
to her and my grandfather. i share some fotos and thoughts about them in this
post.

Top 5 reads you’re looking forward to reading in 2010 (or have already read)?

i really loved The Hundred Thousand Kingdoms, The Demon's Covenant, Clockwork Angel, Tipping the Velvet and Unwind. all read this year.

100 words or less how would you describe your work?

Chinese inspired fantasy that may read epic at times but really grounded in very personal journeys about growth, friendship, family, love, choices and change. there are demons, cute boys, and food. =)

You are unafraid to write about sexuality in Silver Phoenix. Were you nervous about writing those scenes and seeing how people would respond?

not really. i wrote what i felt was appropriate for my story and the culture i created. when a society's expectation of a girl is for her to make babies, there's no tip toeing around that fact. i think it has made some readers uncomfortable, how forthright i am with that aspect of the storytelling. but i think i remain true to to it--and perhaps, being made uncomfortable isn't such a bad thing. this was a reality for many girls in societies and cultures of the past, even today.

You were recently the subject of a cover controversy. How do you propose we bring more attention to books about PoC so that publishers don't feel the need to whitewash the book in order to support the author and so that bookstores are more receptive to selling them?

The truth of the matter is, publishing is a business and money does need to be made. i think when we see a young adult novel featuring a main protagonist of color gain commercial success, we'll be taking strides in the right direction.

I've always said that The Story is the most important thing to me. after all, it's what i poured my heart and soul into. i understand readers being upset over the cover change, because it was symbolic in many ways. there simply isn't anything like Silver Phoenix on the young adult shelves right now. but if the cover change is necessary to give the book a second life in bookstores, of course i'll support it. is the situation ideal? no. but again, until we have that breakout novel...

the very fact that Silver Phoenix is out there amazes me. i did not have a book like that while growing up.

what can readers do to help? buy the novels!! i realize not everyone can afford to buy hardback covers of novels or perhaps, even paperback. but you can certainly help
PoC stories in other ways :

1. request it at your local library.

2. blog about it. talk about it on twitter, fb. almost everyone agrees that word of mouth still carries A LOT of weight when it comes to a novel's success--especially for debut authors who may not be very well known or carried widely in bookstores.

3. review it (this goes with blogging about it).

4. talk about it with your friends!

5. suggest reading the novel for a book club. if participants can't afford to buy, share the novel. or request through the library. i actually had so much fun doing local library teen book club visits.

6. email the author if you've read her/his story and enjoyed it. i can't
tell you how heartened i've been to hear from readers who really connected with my novel. it's why i wrote it in the first place--to be read by others. it takes a lot of courage to write what you love--and hearing from fans is always a courageous reminder for me.

i'm really a believer in being active through positive action.

thanks so much for having me, ari! i really enjoyed this interview
and thanks for all your support of Silver Phoenix.

Thank you for the interview Cindy! I can not recommend Silver Phoenix enough. It is so very unique. Ai Ling is a fighter while still trying to remain true to the time period she lives in. She can be shy, but she is passionate, committed and brave. Plus she loves to eat and the food descriptions are divine!

Furthermore, even if you are angry at the whitewashing of Cindy's covers, don't refuse to buy the book. Email/write to the publishers and bookstore chains decrying the whitewashing of covers. But the fact of the matter is, the publisher is sticking with Cindy and I, personally, appreciate that. I would be highly upset if I never got to read the sequel to Silver Phoenix.

PS The above is a postcard that you could win later on in a swag giveaway! It's a postcard of Silver Phoenix and a new character, Zhong Ye. It's so pretty :)

Upstate

Upstate by Kalisha Buckhannon 2005
St. Martin's Press

Seventeen year old Antonio is in jail for killing his father. He leaves behind a mother, two younger brothers and a devoted girlfriend, Natasha (who is sixteen). The story takes place in Harlem, New York, 1990s. Over the years Antonio and Natasha write to each other. Antonio is trying to maintain his sanity while in jail and plan his future once he's out of jail. Natasha is busy living her own life, she wants to go to a good college, away from home.

These letters felt very raw. They weren't flowery or ridiculously romantic. They are about romantic longing, but so much more. They talk about books, Harlem, their home lives, life in jail. Before jail, Antonio spent a lot of his time trying to be tough and not share details of his private life with Natasha. In the letters, he finally breaks down. I thought this was a bit too convenient, but I let it slide because I wanted to learn more about Antonio's life. Natasha wasn't as interesting to me. I felt that she was almost stereotypical, but that could be more of a result of how many YA books I've read with similar main characters. She was very determined and wanted to go to college and be a lawyer, and she wasn't going to let her economic background get in her way. Which is wonderful, but I felt that I had heard it all before. Antonio's background seemed all too familiar at first, but it got deeper and more unique. Besides being about the two main characters, we also learn A LOT about both of their families, which I really liked. The parents are a presence (for better or worse) and even the siblings have stories that are told.

Antonio's first letter starts with him asking if Natasha believes he kills his father. I was pleased at the fact that Natasha asks him if he did it. She doesn't blindly take his word for it. I understand wanting to see the best in someone you love, but I liked that Natasha was trying to be realistic and honest. One of the strongest parts of this novel is the language. The author writes very powerfully, you feel as if you are reading very private letters (which is against the law since it's not your mail! haha) and maybe you are intruding. At the same time, you can't put the book down because you need to know if Antonio killed his father and you need to know if Antonio and Natasha will stay together. The last letter is written in 1999 and while the letters are getting few and far between, it's evident that Antonio and Natasha still love each other. The question is if they have room in their lives for each other. SPOILER: Highlight to read: I was a bit ticked that Antonio didn't kill his father. Just once I would like to read a story where the main character killed someone on purpose. Not because I would enjoy it, but it would be very interesting to read about motive, etc.* End of Spoiler

Upstate is a sweet story about a not-so-sweet topic. The love story is original, emotional and very genuine. The circumstances the two main characters were born into suck and it's infuriating that they have to go through what they have to go through. They must grow up way sooner than many children. I can't say how authentic this book is in portraying prison life, I'm on the fence about that because I feel that it was a little too safe but at the same time, I've never been to prison so I wouldn't know. The author does an excellent job of creating characters that grab you and you will not forget about them right away. Perhaps one of the simplest but best parts of this book is the fact that it's about two African American teenagers who are deeply in love with each other. We don't see that very often in books or on TV (but we do in real life!) so this was a nice change. I highly recommend this book. Surprisingly not a tearjerker, but still a very moving story.

Disclosure: My mom bought it for my sister and I (it's interesting because my sister is a hopeless romantic and she didn't love this book like I thought she would. Have any romantics read the book? If so, what did you think?

Throwback Thursday is hosted by Take Me Away Reading

PS I wonder if the book had been set in the present day if Natasha and Antonio would have been Facebook friends? Hmmmm. I think so.

Review originally first ran at Reading in Color

Dear Greenwillow Books

Dear Greenwillow Books,

I understand that you are worried about the sales of Silver Phoenix by Cindy Pon and the potential sales of its sequel, Fury of the Phoenix. Oh, I know that you are not worried that Asian-inspired YA fantasy will not sell. If that was your worry, then you would never have chosen to publish Silver Phoenix and Fury of the Phoenix in the first place.

The hardcover edition of Silver Phoenix has an Asian model on the cover. The paperback edition of Silver Phoenix and the hardcover edition of Fury of the Phoenix both use a Caucasian model on the cover. I take that to mean that you are worried that American readers will not buy books with Asians on the cover.




Whitewashing a book cover does injustice to the book because it misrepresents the book and misleads readers. Moreover, there is racism at work in the whitewashing of book covers because of the underlying assumption that Asian faces are "not good enough" to sell books, or that Asian faces will somehow "turn off" non-Asian readers and keep them from buying the book.

Honestly? Those assumptions HURT.

Here's an idea, Greenwillow: Worried about the sales of an Asian-inspired YA fantasy novel? Next time try to refrain from whitewashing the book cover, which is morally wrong. Try selling more copies of the book (with an Asian model on the cover of course, or no model on the cover at all) in Asia. There are ONE BILLION children and teenagers in Asia. Worried about having to translate the book? There's no need to worry! There are MILLIONS of Asian children and teenagers who speak, read, and write in English. And try selling more copies of the book to the millions of people who are part of the Asian diaspora all over the world.

Thank you for taking the time to read this.

Off to buy multiple copies of the hardcover edition of Silver Phoenix,

Tarie Sabido

Good Fortune

Good Fortune by Noni Carter 2010
Simon & Schuster

Good Fortune traces the journey of Ayanna Bahati, who is captured and taken from her African village and sold into slavery in America. She is renamed Sarah but she still has flashbacks of her life in Africa and the traumatic events of coming to America (she was seven at the time). Sarah is determined to escape to freedom especially when her "master's" son (Jeffrey) begins to pressure her and he looks like he will make her his mistress. Sarah would rather die than suffer that fate so she begins to plan on running away.

This is a stunning debut from a very talented young author (she's 18 and attends Harvard University). I was more than a little apprehensive about picking up this book because I haven't been in the mood to read yet another slave narrative. They are depressing and speak to a history that is incredibly hard to be proud of. While this novel is somewhat predictable and redundant in its facts about the horror of slavery, it has a very strong message to it concerning education. I think that in the author's goal to have the book be used as a teaching tool for children, her message overpowers the book in some parts. It puts a human face on the struggles of slaves; Sarah goes through so much and she is so determined to get an education. It made me think long and hard about how many of my fellow African American students (and it's not just us, but I'm focusing on us today) dismiss the educational opportunities they have, we waste them by not reaching to our full potential, we mess around in school (I'm guilty of doing that sometimes too!). I can honestly say this novel made me feel bad for complaining all the time about having to go to school, while I didn't stop completely I do try to complain less.

Something that really bothered me about this novel was that the language seemed to be too-flowery (does that make sense?) It was very formal and it was hard to believe that an uneducated slave would speak in such precise words. However, the author does have a great way with words, she describes scenes that leap off the pages. "Then, one night, as snow fell steadily, heaven must have decided to turn all the elements of nature against me. Down came icy rocks, hurled my way as if the skies were taunting me for the slowness of my pace. I dropped down and tried to shield myself, but they came crashing upon my back and shoulders. I fought to get up again, to seek shelter. My throat burned while the rest of me shook with cold. With the surrounding land mocking me as I stumbled over its bumpy surfaces and my own feet, I searched for refuge from heaven's assault." (pg. 186-187) At times Good Fortune seemed tedious, I think that some pages could have been cut out (it's 470 pages!) because many pages simply have to do with planning and waiting, planning escapes, waiting for the right time. I'm not going to go into much detail about what this novel covers about slavery because it covers much of the hardships; the beatings, the rape (it's not at all graphic though, merely hinted at), the death, the danger of escape, etc.

However, this novel is unique because it has a love story. The love story between Sarah and John helps lighten the horrific situation of slavery, they are young and in love and it's adorable. They face hardship, in large part because Jeffrey (the slave owner's son) wants to keep them apart and he holds the power. Their love is based on hope and trust and they wait. And wait. It's a bittersweet ending. Sarah herself carries the novel. She is incredibly naive, but she has a strong and persistent voice, she will become educated and she will one day marry John.

Good Fortune avoids the trap of being yet another depressing slave story due to the author's magical way with words, the determined main character and surrounding characters (her adopted brother, Daniel, her Aunt Mary, her friend Florence) and the tender love story. I think that at times the author tries too hard to get her message about the importance of education into the reader's head, but it's an important message that needs to be reiterated. I wish that the author had either eliminated Sarah's memories of Africa or more fully explained them because seeing them only though Sarah's hazy flashbacks and nightmares provides confusion for the reader. I will definitely be looking for future work by Noni Carter, her debut was incredibly well researched and showcases her talent with words. Do not let your fear of reading about slavery keep you from missing out on this story.

Disclosure: Received from Nathalie to give away as a prize in the POC Reading Challenge. Thank you so much Nathalie!

Author Interview: Candy Gourlay

This interview was originally posted at Asia in the Heart, World on the Mind on November 30, 2009.



Tall Story is about Bernardo, an 8 ft. tall boy (a giant!) in the Philippines, and his half-sister Andi in the UK. I really enjoyed reading Tall Story. It's an interesting story and I love so many things about it: How it is about family, Filipino legends and superstitions, and basketball. Its melding of British humor and Filipino humor. Andi's strong and fresh voice. How the main characters seem so real that a part of me thinks there really is an 8 ft. tall boy named Bernardo in the Philippines with a sister named Andi in the UK. I love how in Tall Story there is the question of how belief in legends and superstitions affects how one reacts to events... And does something happen (or not happen) because of a person's belief (or lack thereof) in a legend or superstition?

Tall Story is for children aged 10+ and will be published by David Fickling Books in the UK (June 2010) and the US (early 2011), and by Cacho Publishing House in the Philippines (date to be announced). Today, I am excited to present an interview with Tall Story author Candy Gourlay!

Candy is a Filipino writer who lives in the UK. In the Philippines, she was a journalist for the Philippine Daily Inquirer. In the UK, she was the London correspondent for the news agency Inter Press Service and editor of the pan-European magazine Filipinos in Europe. Candy moved to the UK in 1989 after she married Richard Gourlay, who was the Manila correspondent for the Financial Times of London. Richard and Candy have three children.

Hi, Candy!

What was the spark that set you off writing Tall Story?

I have always been fascinated by gigantism and had the germ of an idea - a teenager who suffers from gigantism.

As an awkward teenager, I felt like a freak - a lot of teenagers, the uncool ones like me, feel like that, don't they? I thought: what if you really were a "freak"? Maybe, a giant?

And then, my sister (Joy Ramos) told me the story of Ujang Warlika.

When her husband, Bong Ramos, a former PBL (Philippine Basketball League) player turned PBA (Philippine Basketball Association) basketball coach, was coaching Aspac Texaco, an Indonesian team, he was asked to turn Ujang into the equivalent of Yao Ming, the Chinese giant.

The thing was, Yao Ming at 7 feet 6 inches was genetically tall ... and Ujang who was 7 feet 4 inches was not tall, he was a giant - he suffered from the disease called gigantism, caused by an overactive pituitary gland that overproduces growth hormones. Ujang ended up spending a lot of time hanging out with my sister's daughter Camille, who is a tiny but formidable basketball player. Camille now plays for La Salle [University] and the Philippine Women's team. Poor Ujang died of his illness.

Please guide us through your writing process, particularly the writing process you used for Tall Story. What influences and inspirations (both literary and non-literary) did you draw from while writing? What were the challenges and rewards from writing Tall Story?

The Philippine legend of Bernardo Carpio is an important part of Tall Story. Can you tell us a bit about the legend and why you incorporated it into the novel? Did you do a lot of research on the legend, or did you rely on the stories you heard growing up?

When I started writing Tall Story in September 2008, I only had that tiny idea - about a teenager with gigantism. I thought of setting it in the UK, but the UK is not a basketball playing country (even though my sons love it, they discovered basketball watching PBA games in the Philippines).

I thought of setting it in the United States - but that would have been super risky, never having lived in the States.

I asked myself what I did know?

I read everything I could find about giants, all the folklore and all the legends. This brought me to Bernardo Carpio, the Filipino legendary giant. I read all the different versions of the Bernardo Carpio story and realized that through the years it had been adapted by storytellers to suit the times - Bernardo Carpio was a metaphor for the resistance against Spain, he was an explanation for a lot of geology in the Montalban area, and he was even a Christ metaphor in the early 1900s. Nick Joaquin wrote a wonderful time travel story featuring Bernardo Carpio in Pop Stories for Groovy Kids, retellings of Filipino stories published in the 80s. That decided me - I was going to tell my own version of Bernardo Carpio and other Filipino folk tales.

I really set out to reflect a Filipino sensibility, despite the story being set partly in London. I had a fear that some Filipinos might not like the way I portray them, given Pinoy sensitivities about their image in the rest of the world. But I set out to capture that unique sense of humour that I miss so much living abroad - our love of poking fun at the way we have domesticated English, the spiritualism that borders on superstition, the rich storytelling seam, the showbiz dramatics, the sense of family and belonging. I hope Pinoy readers will recognize how lovingly I wrote it .. fellow expatriates might feel the undercurrent of homesickness that underlies the whole novel which is the lot of the Filipino abroad. I suspect this will be a constant feature in all my novels!

Was it difficult getting an agent? What was the path to publication for Tall Story?

I have been trying to get published for nine years. I know this because I recorded the date when I started writing my first novel. Tall Story is my fourth!

That first novel was set in London with English characters and had a gripping enough first chapter to have the whole manuscript invited back whenever I sent it out. But I didn't know the ups and downs of plot or in-depth characterization, and had a slew of rejections. I had so much to learn.

I decided to throw myself into the process of learning. I joined the Society of Children's Book Writers and Illustrators (SCBWI) and tried to attend every event and volunteered for anything going. I thought I would also use my journalistic skills and report on what I learned in a blog - which continues to this day - Notes from the Slushpile.

But it was only when one agent told me, "Why are you writing about English characters? A first novel should reflect the author's experience." that I realized that I was not mining the wealth of experience and story that my heritage had to give. It was only when I started setting my stories in the Philippines and using Filipino characters that my writing really came alive. After that flurry of rejections with my first novel, I became more cautious. I didn't submit my novel to every agent I ever met or heard of. I concentrated on learning to write rather than getting published.

In 2008 I won a place in SCBWI's inaugural Undiscovered Voices anthology with an excerpt of Ugly City, my dystopian fantasy set in a city suspiciously like an extreme Manila. The agent Hilary Delamere had already read another novel of mine and called to tell me she liked it BUT ... after a bit of discussion, she asked if I had anything else. I sent her Ugly City and three days later she signed me up.

Where were you and what were you doing when you found out that your novel was going to be published? What were your first thoughts and feelings? How did you celebrate the good news?

I'm afraid I didn't believe it. I was sure I'd heard wrong and it was only when I actually met my agent at an event a few days after she told me that I felt I had permission to tell the world. Over the years, I guess I'd become overcautious and my default position was rejection. It was really hard to take in the news. I celebrated in little ways with my family and friends. I think it was only the reaction of my 10-year-old friend Hugo that convinced me it was really happening. Last summer I read chapters of Tall Story to Hugo and a bunch of other children.

Candy: Hugo, my book is going to get published.
Hugo: (slightly bored) Which one?
Candy: Tall Story.
Hugo: (genuinely thrilled) TALL STORY? THE ONE YOU READ US LAST SUMMER? THAT IS SO COOL!

And after that I thought it was so cool too!

How are you going to promote Tall Story? What are your plans for its release?

I have not really made plans that far ahead, although June 2010, the launch date in the UK is coming very fast. I want to do some fun stuff online, maybe make some YouTube videos with the kids which I love doing anyway. I will have to redesign my website of course ... and I am hoping my brother Armand Quimpo who is a cool motion graphics animator will make me a book trailer. [Ed. note: See book trailer at the beginning of this post!] I'm definitely going home to the Philippines for the Philippine launch but it's still early days so watch this space!

The two main characters in Tall Story, siblings Bernardo and Andi, make important wishes on a wishing stone. What are your wishes for Tall Story?

Do I get three wishes?

One of my big wishes has already been answered: that a Filipino publisher will take it to a Filipino audience. That has always been so important to me and I made that clear to my agent from the moment we started talking about selling my books. My second wish would be that my readers would love my characters as much as I have come to love them. And my third wish? That the book might inspire kids to read more ... and to write.

THANK YOU Tarie!

Thank you, Candy!!! I can't wait for the world to read Tall Story.

The Clone Codes

The Clone Codes by Patricia C. Mckissack, Fredrick McKissack, and John McKissack

“I keep running, wishing I could escape my own skin.” p. 62

The Clone Codes gave me chills as soon as I started reading. There is nothing ordinary about it.

Leanna is a thirteen year-old girl whose life is turned upside down when her mother is arrested. She finds herself on the run, at the center of a scientific and political war and she makes unexpected friends along the way. Her travel companions include Benjamin Franklin, Justice John Marshall Harlan and Eleanor Roosevelt.

It is 2170, which means that, much to the delight of readers of all background, there is an array of cool words, an innovative water game, and mind-blowing technological features such as computerized glasses that allow you to stock your memories, virtually attend school and chat for hours with your best friend.

The authors, Newbery Honor winner Patricia C. McKissack, Frederick L. McKissack and their son John McKissack, possibly invented a new genre: historical science-fiction. As oxymoronic as it sounds, the story does invite the young reader to analyze past and contemporary issues such as human trafficking, while reflecting on the future implications of cloning and other forms of biotechnology.

The Clone Codes makes history and science fiction fun for the teen audience. Its topic is contemporary and thought provoking. I highly recommend it.